Voicework in Music Therapy : Research and Practice

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Format: Paperback
Pub. Date: 2011-07-15
Publisher(s): Jessica Kingsley Pub
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Summary

The voice is a powerful instrument in music therapy practice and this anthology of voicework techniques explores everything the practitioner needs to know in order to bring about successful interventions across a broad range of client groups. Compiling a wealth of international evidence-based practice, this book offers detailed descriptions of clinical methods that are grounded in research. Chapters are grouped into structured and unstructured approaches for use with clients across the lifespan. Clinical populations covered include neonates; children with autism or developmental disability, individuals with neurological damage including stroke, Parkinson's disease patients, traumatic brain injury, and spinal injury; people with mental illness; medical conditions such as asmtha and pain; oncology and palliative care; aged care and dementia.

Author Biography

Felicity Baker, PhD is Associate Professor and Australia Research Council Future Fellow based at the School of Music, The University of Queensland. She is co-editor of Songwriting: Methods, Techniques and Clinical Applications for Music Therapy Clinicians, Educators and Students and co-author of Music Therapy Methods in Neurorehabilitation: A Clinician's Manual. She reviews for a number of music therapy and interdisciplinary journals and is editor-in-chief for the Australian Journal of Music Therapy. Felicity has a strong interest in recovering the expressive potential of the voice following traumatic brain injury. Sylka Uhlig is the author of Authentic Voices, Authentic Singing: A Multicultural Approach to Vocal Music Therapy and is researching vocal methods for her PhD. She lectures in music therapy and voice at Han University for Professional Education, the Netherlands. She has practiced music therapy for over 20 years in Europe and the USA, working in psychiatric hospitals, neurological rehabilitation facilities, special education settings and private practice. Sylka holds international workshops and presentations on the significance of the use of voice as a primary instrument in music therapy. She is the founder of Voice Forum, an international collaboration of music therapists with a focus on the voice.

Table of Contents

Forewordp. 13
Acknowledgmentsp. 18
Introduction to Voicework in Music Therapy
Voicework in Music Therapy: Pioneers and a New Generationp. 25
Structured Approaches to Voicework
A Vocal-Led Relaxation for Children with Autism Spectrum Disordersp. 41
Rap and Singing for the Emotional and Cognitive Development of At-Risk Children: Development of a Methodp. 63
A Field of Vocal Discovery: The Workshopp. 83
Sori Therapy for a Woman with Trauma to Empower Inner Safetyp. 100
How Can Singing in Music Therapy Influence Social Engagement for People with Dementia? Insights from the Polyvagal Theoryp. 130
Singing for Respiratory Muscle Training: Using Therapeutic Singing and Vocal Interventions to Improve Respiratory Function and Voice Projection for People with a Spinal Cord Injuryp. 147
Climax and Cadence in the Uninflected Voice: Reclaiming Emotional Expression in the Dysprosodic Voice of People with Traumatic Brain Injuryp. 171
Coordinating Respiration, Vocalization, and Articulation: Rehabilitating Apraxic and Dysarthric Voices of People with Neurological Damagep. 189
Speech-Music Therapy for Aphasia (SMTA): An Interdisciplinary Treatment of Speech-Language Therapy and Music Therapy for Clients with Aphasia and/or Apraxia of Speechp. 206
Free Approaches to Voicework
Contingent Singing: The Musicality of Companionship with the Hospitalized Newborn Infantp. 231
Tonal Intervallic Synthesis as Integration in Medical Music Therapyp. 252
Expanding My World: Improvised Voicework with a Woman with Parkinson's Diseasep. 269
A Path to Self-Awareness and Self-Regulation: Voicework as an Important Part of My Clinical Researchp. 287
The Vocal Hello Space Model in Hospice Music Therapyp. 302
Final Notes: Therapeutic Uses of the Voice with Imminently Dying Patientsp. 321
Conclusion
Diversity in Approaches to Therapeutic Voicework: Developing a Model of Voicework in Music Therapyp. 333
Editorsp. 350
Contributorsp. 351
Subject Indexp. 355
Author Indexp. 362
List of Tables
Uhlig's rap music therapy methodp. 76
Procedures in sori therapyp. 108
Assessment intervention and observation for sori therapyp. 113
Assets and deficits of criteria in the assessment categoriesp. 114
The polyvagal theory: Three phylogenetic stagesp. 133
Characteristics of affective intonationp. 173
Therapeutic aims addressed by voicework interventionsp. 334
Psychological, physiological, and neurological frameworks underpinning authors' workp. 337
Structure, context, and dosage of voicework approachesp. 340
List of Figures
Breathing and relax (examples 1-5)p. 53
Self-awareness (examples 6-8)p. 55
Wake up (examples 9-10)p. 57
"So Wee Ah"p. 91
"I am a Spring of Water"p. 92
"Earth Chant"p. 93
"Circle Chant"p. 94
Maet-nun tonep. 104
Dub-nun tonep. 104
Gubk-nun tonep. 104
Five Korean rhythmic idiomsp. 107
Table of Contents provided by Ingram. All Rights Reserved.

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