Tradition and Innovation in Hellenistic Poetry

by
Format: Hardcover
Pub. Date: 2005-03-07
Publisher(s): Cambridge University Press
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Summary

Hellenistic poets of the third and second centuries BC were concerned with the need both to mark their continuity with the classical past and to demonstrate their independence from it. In this revised and expanded translation of Muse e modelli: la poesia ellenistica da Alessandro Magno ad Augusto, Greek poetry of the third and second centuries BC and its reception and influence at Rome are explored allowing both sides of this literary practice to be appreciated. Genres as diverse as epic and epigram are considered from a historical perspective, in the full range of their deep-level structures, shedding new light on the poetry and its influence at Rome. Some of the most famous poetry of the age such as Callimachus' Aitia and Apollonius' Argonautica is examined. In addition, full attention is paid to the poetry of encomium, in particular the newly-published epigrams of Posidippus, and Hellenistic poetics, notably Philodemus.

Table of Contents

Preface vii
List of abbreviations
ix
Performance and genre
1(41)
Invoking the Muses, evoking models
1(16)
Impossible models and lost performance contexts
17(9)
Disassembling and reassembling
26(11)
Marginal aberrations?
37(5)
The aetiology of Callimachus' Aitia
42(47)
Callimachus
42(2)
The structure of the Aitia
44(5)
Aetiology
49(2)
Hesiod and Callimachus
51(9)
Acontius and Cydippe
60(6)
The reply to the Telchines
66(10)
Callimachus and the Ician
76(7)
Poems for a princess
83(6)
The Argonautica of Apollonius and epic tradition
89(44)
Epic song
89(9)
An epic world
98(6)
Heroic anger
104(13)
Epic memory
117(9)
An epic leader
126(7)
Theocritus and the bucolic genre
133(58)
Theocritus and the `realism' of everyday life: in search of new worlds for poetry
133(8)
Verisimilitude and coherence
141(26)
Bucolic poetry after Theocritus: between imitation and stylisation
167(3)
Bucolic and non-bucolic love
170(21)
Epic in a minor key
191(55)
The `epyllion'
191(5)
Callimachus' Hecale
196(5)
Theocritus' `Little Heracles'
201(9)
`Heracles the Lionslayer'
210(5)
The Europa of Moschus
215(9)
The Phainomena of Aratus
224(22)
The style of Hellenistic epic
246(37)
Introduction
246(3)
Callimachus
249(6)
Theocritus
255(11)
Apollonius Rhodius
266(17)
The epigram
283(67)
Inscription and epigram: the `prehistory' of a genre
283(8)
Funerary and dedicatory epigrams: epigraphic conventions and epigrammatic variations
291(47)
Erotic epigrams
338(12)
The languages of praise
350(54)
Callimachus' Hymns and the hymnic tradition
350(21)
The dialect of kings
371(6)
Posidippus and the ideology of kingship
377(27)
Hellenistic drama
404(40)
Menander and New Comedy
404(28)
Hellenistic tragedy
432(5)
Lycophron's Alexandra
437(7)
Roman epilogue
444(42)
A critical silence?
444(5)
Philodemus and Hellenistic poetics
449(12)
Graecia capta
461(6)
Verbum pro uerbo
467(7)
Poetry or translation?
474(2)
The limits of translation
476(1)
Catullus' Attis
477(9)
Bibliography 486(14)
Index of passages discussed 500(6)
General index 506

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