Shakespeare, Feminism and Gender

by
Format: Paperback
Pub. Date: 2001-02-03
Publisher(s): Red Globe Pr
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Summary

Over the last quarter-century, feminist criticism of Shakespeare has greatly expanded and enriched the range of interpretations of the Shakespearean texts, their original historical location, and subsequent reinterpretation. Characteristically, it weaves between past and present, driven by a commitment to both intervene in contemporary cultural politics and to recover a fuller sense of the sexual politics of the literary heritage. Collecting together essays that offer detailed accounts of particular plays with others that take a broader overview of the field, this New Casebook showcases the range of critical strategies used by feminist criticism, and illustrates how vital attention to the politics of gender and sexuality is to a full understanding and appreciation of Shakespearean drama.

Author Biography

Kate Chedgzoy is Reader in English and Comparative Literary Studies, University of Warwick.

Table of Contents

Acknowledgements vii
General Editors' Preface ix
Introduction: 1(23)
Kate Chedgzoy
The Patriarchal Bard: Feminist Criticism and Shakespeare: King Lear and Measure for Measure
24(25)
Kathleen Mcluskie
Feminist Theory and the Editing of Shakespeare: The Taming of the Shrew Revisited
49(21)
Ann Thompson
Women's Alternative Shakespeares and Women's Alternatives to Shakespeare in Contemporary British Theatre
70(23)
Lizbeth Goodman
Gender and Nation: Anticipations of Modernity in the Second Tetralogy
93(22)
Jean E. Howard
Phyllis Rackin
How to Read the Merchant of Venice without being Heterosexist
115(20)
Alan Sinfield
The Homoerotics of Shakespearean Comedy
135(26)
Valerie Traub
Mourning and Misogyny: Hamlet and the Final Progress of Elizabeth I
161(23)
Steven Mullaney
He Do Cressida in Different Voices
184(18)
Barbara Hodgdon
Revolutions, Petty Tyranny and the Murderous Husband
202(14)
Frances Dolan
Macbeth and the All-singing, All-dancing Plays of the Jacobean Witch-vogue
216(19)
Diane Purkiss
The Colour of Patriarchy: Critical Difference, Cultural Difference and Renaissance Drama
235(21)
Ania Loomba
Further Reading 256(5)
Notes on Contributors 261(3)
Index 264

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