Settler and Creole Reenactment

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Format: Hardcover
Pub. Date: 2010-01-15
Publisher(s): Palgrave Macmillan
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Summary

Explores the uncalculated and incalculable elements in historical re-enactment - unexpected emotions, unplanned developments - and locates them in countries where settlers were trying to establish national identities derived from metropolitan cultures inevitably affected by the land itself and the people who had been there before them.

Author Biography

VANESSA AGNEW is Associate Professor in the German Department, University of Michigan, USA where she researches and teaches on the cultural history of eighteenth-century music, travel, and historical reenactment. She is the author of Enlightenment Orpheus: The Power of Music in Other Worlds and Georg Forsters Voyage Round the World, and coeditor of several volumes on reenactment. She has held research fellowships at the Australian National University, Universitt Paderborn, National Maritime Museum, Humboldt Universitt, and Forschungszentrum Europische Aufklrung. She is currently working on a monograph on German historical reenactment and a travel book about patterns.
 
JONATHAN LAMB has taught at the University of Auckland, Princeton, and Vanderbilt. Currently he is a visiting fellow at Kings College, Cambridge. He is author of Preserving the Self in the South Seas and The Evolution of Sympathy. He is completing a book on things and the imagination for Princeton University Press, as well as two further collections on maritime reenactment and affective cognition for PalgraveMacmillan, together with a book on the psychological effects of scurvy.

Table of Contents

List of Figuresp. vii
Acknowledgementsp. viii
Notes on the Contributorsp. ix
Introduction to Settlers, Creoles and Historical Reenactmentp. 1
Europep. 19
Settlers, Workers and Soldiers: The Landscape of Total Mobilizationp. 21
Settlers on the Edge, or Sedentary Nomads: Andrei Platonov and Steppe Historyp. 41
Creole Europe: The Reflection of a Reflectionp. 55
Americap. 79
Alexander Hamilton and the New Republic's Creole Complexp. 81
"The Shrug of Horror": Creole Performance at King's Benchp. 94
Taxonomies of Terrorp. 107
Africap. 121
Voortrekkers of the Cold War: Enacting the South African Past and Present in Mark Behr's The Smell of Applesp. 123
History Below the Water Line: The Making of Apartheid's Last Festivalp. 138
Failing with Livingstone: A Voyage, of Reenactment on Lake Nyassap. 156
Australiap. 169
Impossible Historical Reenactments: Invisible Aborigines on TVp. 171
Colonialism and Reenactment Television: Imagining Belonging in Outback Housep. 193
"Blacking Up" for the Explorers of 1951p. 208
New Zealandp. 221
"The finest race of savages the world has seen": How Empire Turned Out Differently in Australia and New Zealandp. 223
Reenacting Aotearoa, New Zealandp. 245
Reenactment and the Natural History of Settlementp. 259
Native Reenactments/Living Iterability: Lisa Reihana's Native Portraits n. 19897p. 273
Epilogue: Genealogies of Space in Colonial and Postcolonial Reenactmentp. 294
Bibliographyp. 319
Indexp. 336
Table of Contents provided by Ingram. All Rights Reserved.

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