Acknowledgments |
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ix | |
Mapping Rock Music Cultures across the Americas |
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1 | (21) |
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Deborah Pacini Hernandez, Héctor Fernández L'Hoeste, and Eric Zolov |
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La Onda Chicana: Mexico's Forgotten Rock Counterculture |
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22 | (21) |
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Between Rock and a Hard Place: Negotiating Rock in Revolutionary Cuba, 1960-1980 |
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43 | (25) |
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Deborah Pacini Hernandez and Reebee Garofalo |
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Black Pau: Uncovering the History of Brazilian Soul |
|
68 | (23) |
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Boricua Rock: Puerto Rican by Necessity! |
|
91 | (24) |
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The Politics and Anti-Politics of Uruguayan Rock |
|
115 | (27) |
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"A contra corriente": A History of Women Rockers in Mexico |
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142 | (18) |
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Julia Palacios and Tere Estrada |
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"Soy punkera, ¿y qué?": Sexuality, Translocality, and Punk in Los Angeles and Beyond |
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160 | (19) |
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On How Bloque de Búsqueda Lost Part of Its Name: The Predicament of Colombian Rock in the U.S. Market |
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179 | (21) |
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Héctor D. Fernández L'Hoeste |
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Let Me Sing My BRock: Learning to Listen to Brazilian Rock |
|
200 | (20) |
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Martha Tupinambá de Ulhôa |
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Guatemala's Alux Nahual: A Non-"Latin American" Latin American Rock Group? |
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220 | (21) |
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My Generation: Rock and la Banda's Forced Survival Opposite the Mexican State |
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241 | (20) |
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Neoliberalism and Rock in the Popular Sectors of Contemporary Argentina |
|
261 | (29) |
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Pablo Semán, Pablo Vila, and Cecilia Benedetti |
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A Detour to the Past: Memory and Mourning in Chilean Post-Authoritarian Rock |
|
290 | (22) |
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The Nortec Edge: Border Traditions and "Electronica" in Tijuana |
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312 | (20) |
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Esperando La Última Ola/Waiting for the Last Wave: Manu Chao and the Music of Globalization |
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332 | (15) |
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Afterword: A Changeable Template of Rock in Las Américas |
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347 | (10) |
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Appendix: Rock in Latin America, 1940-2000 |
|
357 | (6) |
Notes |
|
363 | (32) |
Selected Bibliography |
|
395 | (10) |
Contributors |
|
405 | (4) |
Index |
|
409 | |