Preface |
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xix | |
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From The Diary of Alice James |
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1 | (3) |
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4 | (1) |
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Sarah Orne Jewett (1849-1909) |
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5 | (10) |
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15 | (8) |
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23 | (2) |
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25 | (100) |
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Mary E. Wilkins Freeman (1852-1930) |
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125 | (13) |
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126 | (12) |
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Charlotte Perkins Gilman (1860-1935) |
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138 | (17) |
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139 | (12) |
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151 | (1) |
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152 | (1) |
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Mary Elizabeth Coleridge (1861-1907) |
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The Other Side of the Mirror |
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153 | (1) |
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154 | (1) |
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155 | (1) |
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Edith Wharton (1862-1937) |
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155 | (60) |
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155 | (15) |
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170 | (45) |
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215 | (12) |
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215 | (5) |
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220 | (3) |
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The Coyote-Spirit and the Weaving Woman |
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223 | (4) |
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Henry Handel Richardson (1870-1946) |
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227 | (4) |
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227 | (4) |
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231 | (7) |
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231 | (1) |
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232 | (1) |
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232 | (1) |
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233 | (5) |
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Gertrude Stein (1874-1946) |
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238 | (26) |
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238 | (4) |
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242 | (22) |
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Alice Moore Dunbar Nelson (1875-1935) |
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264 | (23) |
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265 | (1) |
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The Goodness of St. Rocque |
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266 | (4) |
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Zora Neale Hurston (1881-1960) |
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270 | (8) |
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278 | (9) |
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Virginia Woolf (1882-1941) |
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287 | (13) |
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From A Room of One's Own; Shakepeare's Sister |
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288 | (7) |
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295 | (5) |
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Susan Glaspell (1882-1948) |
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300 | (11) |
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301 | (10) |
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311 | (3) |
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312 | (1) |
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312 | (2) |
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314 | (1) |
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314 | (1) |
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315 | (1) |
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315 | (2) |
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316 | (1) |
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317 | (1) |
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Anzia Yezierska (1885-1970) |
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317 | (18) |
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My Own People from Hungry Hearts |
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318 | (9) |
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327 | (8) |
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335 | (14) |
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Miss Ogilvy Finds Herself |
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336 | (13) |
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H.D. (Hilda Doolittle) (1886-1961) |
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349 | (2) |
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350 | (1) |
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350 | (1) |
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350 | (1) |
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Marianne Moore (1887-1972) |
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351 | (3) |
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351 | (1) |
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352 | (1) |
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Hometown Piece for Messrs Alston and Reese |
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352 | (2) |
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Katherine Mansfield (1888-1923) |
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354 | (21) |
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354 | (10) |
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364 | (11) |
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Anna Akhmatova (1888-1966) |
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375 | (3) |
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376 | (1) |
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376 | (1) |
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377 | (1) |
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Miriam Raskin (1889-1973) |
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378 | (3) |
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378 | (3) |
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381 | (8) |
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382 | (7) |
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Edna St. Vincent Millay (1892-1950) |
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389 | (3) |
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389 | (1) |
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390 | (1) |
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390 | (1) |
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[I will put Chaos into fourteen lines] |
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391 | (1) |
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391 | (1) |
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Dorothy Parker (1893-1967) |
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392 | (1) |
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392 | (1) |
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The Little Old Lady in Lavender Silk |
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392 | (1) |
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Marita Bonner (1899-1971) |
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393 | (5) |
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On Being Young---a Woman---and Colored |
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394 | (4) |
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Meridel Le Sueur (1900-1996) |
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398 | (23) |
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From Salute to Spring: A Hungry Intellectual |
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398 | (7) |
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405 | (16) |
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421 | (1) |
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421 | (1) |
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421 | (1) |
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422 | (56) |
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423 | (55) |
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478 | (1) |
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We'll Bring the Rue de la Paix! |
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478 | (1) |
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478 | (7) |
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Elizabeth Bishop (1911-1979) |
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485 | (4) |
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486 | (2) |
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Invitation to Miss Marianne Moore |
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488 | (1) |
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489 | (3) |
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490 | (1) |
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491 | (1) |
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492 | (13) |
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492 | (13) |
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505 | (6) |
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505 | (6) |
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Muriel Rukeyser (1913-1980) |
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511 | (3) |
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512 | (1) |
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512 | (1) |
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To Be a Jew in the Twentieth Century |
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513 | (1) |
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514 | (1) |
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Things I Say to Myself While Hanging Laundry |
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514 | (1) |
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515 | (4) |
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516 | (2) |
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518 | (1) |
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518 | (1) |
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519 | (4) |
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519 | (1) |
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520 | (1) |
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521 | (1) |
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522 | (1) |
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523 | (7) |
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523 | (7) |
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530 | (3) |
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Five Men Against the Theme ``My Name is Red Hot Yo Name Ain Doodley Squat'' |
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531 | (1) |
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531 | (1) |
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532 | (1) |
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Mary Tallmountain (1918-1994) |
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533 | (3) |
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533 | (1) |
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The Ivory Dog For My Sister |
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534 | (1) |
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There is No Word for Goodbye |
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535 | (1) |
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536 | (3) |
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537 | (1) |
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538 | (1) |
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538 | (1) |
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539 | (25) |
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539 | (25) |
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564 | (10) |
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565 | (9) |
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574 | (12) |
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Enormous Changes at the Last Minute |
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575 | (11) |
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Denise Levertov (1923-1997) |
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586 | (2) |
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587 | (1) |
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587 | (1) |
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588 | (1) |
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588 | (9) |
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597 | (1) |
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597 | (1) |
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Flannery O'Connor (1925-1964) |
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598 | (16) |
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598 | (16) |
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614 | (3) |
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614 | (1) |
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615 | (1) |
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616 | (1) |
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617 | (1) |
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617 | (1) |
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618 | (1) |
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618 | (2) |
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Said the Poet to the Analyst |
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619 | (1) |
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620 | (1) |
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620 | (8) |
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From I Know Why the Caged Bird Sings |
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621 | (5) |
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626 | (1) |
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626 | (2) |
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628 | (4) |
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628 | (4) |
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632 | (10) |
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632 | (10) |
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642 | (9) |
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Some Approaches to the Problem of the Shortage of Time |
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643 | (2) |
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645 | (3) |
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648 | (3) |
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651 | (13) |
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652 | (12) |
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664 | (17) |
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When We Dead Awaken: Writing as Re-Vision (1971) |
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664 | (13) |
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677 | (2) |
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679 | (1) |
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680 | (1) |
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680 | (1) |
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681 | (15) |
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682 | (14) |
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696 | (14) |
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696 | (14) |
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710 | (6) |
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Conversation Among the Ruins |
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710 | (1) |
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711 | (1) |
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712 | (2) |
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714 | (2) |
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716 | (6) |
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717 | (5) |
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722 | (3) |
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723 | (1) |
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This Urn Contains Earth from German Concentration Camps |
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724 | (1) |
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725 | (4) |
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725 | (4) |
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729 | (8) |
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After Saturday Night Comes Sunday |
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730 | (5) |
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735 | (1) |
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735 | (1) |
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736 | (1) |
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To All Brothers: From All Sisters |
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736 | (1) |
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737 | (2) |
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737 | (1) |
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738 | (1) |
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739 | (1) |
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739 | (1) |
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The Woman in the Ordinary |
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740 | (1) |
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740 | (4) |
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741 | (3) |
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Joyce Carol Oates (1938-) |
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744 | (16) |
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Unmailed, Unwritten Letters |
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745 | (15) |
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Toni Cade-Bambara (1939-1995) |
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760 | (7) |
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761 | (6) |
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767 | (7) |
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767 | (7) |
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Lynne Sharon Schwartz (1939-) |
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774 | (23) |
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774 | (23) |
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Angela (Olive) Carter (1940-1992) |
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797 | (7) |
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798 | (6) |
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804 | (1) |
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Carol, in the park, chewing on straws |
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804 | (1) |
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II. Ella, in a square apron, along Highway 80 |
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805 | (1) |
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Maxine Hong Kingston (1940-) |
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805 | (10) |
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806 | (9) |
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815 | (10) |
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815 | (10) |
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Bharati Mukherjee (1940-) |
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825 | (13) |
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826 | (12) |
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838 | (3) |
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839 | (1) |
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Counting What the Cactus Contains |
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840 | (1) |
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841 | (5) |
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841 | (2) |
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Etlekhe verter oyf mame-loshn (A few words in the mother tongue) |
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843 | (2) |
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845 | (1) |
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846 | (7) |
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From The Stories of Eva Luna: If You Touched My Heart |
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846 | (7) |
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853 | (2) |
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853 | (1) |
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Coosaponakeesa (Mary Matthews Musgrove Bosomworth), Leader of the Creeks, 1700-1783 |
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854 | (1) |
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855 | (4) |
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855 | (1) |
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856 | (1) |
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857 | (1) |
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I Cannot Forget the Woman in the Mirror |
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858 | (1) |
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Gail Galloway Adams (1943-) |
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859 | (13) |
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859 | (13) |
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872 | (3) |
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873 | (1) |
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873 | (1) |
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874 | (1) |
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875 | (1) |
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875 | (1) |
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875 | (10) |
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877 | (8) |
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Kathryn Stripling Byer (1944-) |
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885 | (1) |
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885 | (1) |
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886 | (10) |
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887 | (1) |
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In Search of Our Mother's Gardens |
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888 | (8) |
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896 | (8) |
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896 | (8) |
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904 | (13) |
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From Sleeping Arrangements |
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905 | (12) |
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917 | (3) |
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917 | (2) |
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919 | (1) |
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920 | (1) |
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Melissa Pritchard (1948-) |
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920 | (10) |
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920 | (10) |
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Leslie Marmon Silko (1948-) |
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930 | (20) |
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931 | (7) |
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938 | (12) |
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950 | (1) |
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Inventing Father in Las Vegas |
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950 | (1) |
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951 | (6) |
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951 | (6) |
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957 | (3) |
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957 | (2) |
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959 | (1) |
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960 | (1) |
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960 | (1) |
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961 | (13) |
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From the Women of Brewster Place: Etta Mae Johnson |
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961 | (13) |
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974 | (4) |
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975 | (1) |
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976 | (1) |
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Your Phone Call At 8 A.M. |
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977 | (1) |
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978 | (3) |
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978 | (1) |
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979 | (1) |
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980 | (1) |
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Judith Ortiz-Cofer (1952-) |
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981 | (5) |
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982 | (4) |
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986 | (2) |
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987 | (1) |
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After Reading Mickey in the Night Kitchen for the Third Time Before Bed |
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987 | (1) |
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988 | (9) |
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Newcomers in a Troubled Land |
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988 | (9) |
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997 | (1) |
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997 | (5) |
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Don't Call Me Sir, Call Me Strong |
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998 | (1) |
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999 | (3) |
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1002 | (2) |
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And All Octobers Become One |
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1003 | (1) |
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1004 | (1) |
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Sara Suleri Goodyear (1953-) |
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1004 | (13) |
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Excellent Things In Women |
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1005 | (12) |
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1017 | (3) |
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1018 | (1) |
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1019 | (1) |
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1020 | (2) |
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1020 | (2) |
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1022 | (1) |
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1022 | (9) |
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1023 | (8) |
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1031 | (3) |
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1032 | (2) |
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1034 | (8) |
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From the Gifts of the Body: The Gift of Hunger |
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1035 | (7) |
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Elizabeth Alexander (1962-) |
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1042 | (4) |
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1043 | (1) |
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1043 | (1) |
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1044 | (1) |
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1044 | (1) |
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1045 | (1) |
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1046 | (1) |
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From Fathers in the Snow (1, 2, 7) |
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1046 | (1) |
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1047 | (17) |
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1048 | (16) |
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1064 | (1) |
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A Newborn Girl at Passover |
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1064 | (1) |
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1065 | (7) |
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Where I Work from A Room of One's Own |
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1065 | (7) |
Credits |
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1072 | (7) |
Index |
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1079 | |