The Nimrod Flipout Stories

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Edition: 1st
Format: Paperback
Pub. Date: 2006-04-04
Publisher(s): Farrar, Straus and Giroux
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Summary

From Israel's most popular and acclaimed young writer--"Stories that are short, strange, funny, deceptively casual in tone and affect, stories that sound like a joke but aren't" (Yann Martel, author ofLife of Pi) Already featured onThis American LifeandSelected Shortsand inZoetrope: All StoryandL.A. Weekly, these short stories include a man who finds equal pleasure in his beautiful girlfriend and the fat, soccer-loving lout she turns into after dark; shrinking parents; a case of impotence cured by a pet terrier; and a pessimistic Middle Eastern talking fish. A bestseller in Israel,The Nimrod Flipoutis an extraordinary collection from the preeminent Israeli writer of his generation. Etgar Keretis the author of three bestselling story collections, one novella, three graphic novels, and a children's book. His fiction has been translated into more than twenty languages and has been the basis for more than forty short films. He lives and teaches in Tel Aviv. Already featured onThis American LifeandSelected Shorts, these stories introduce a man who finds equal pleasure in his beautiful girlfriend and the fat, soccer-loving lout she turns into after dark; shrinking parents; a case of impotence cured by a pet terrier; and a pessimistic Middle Eastern talking fish.The Nimrod Flipoutis an extraordinary collection from Israel's most acclaimed young writer. "Keret's short stories are filled with antiheroes. There are no brave Maccabees, no swashbuckling warriors. Instead, his sketches dramatize the mundane details of daily life. Keret's [stories] seem to promise that there is more to life than Merkava tanks and suicide killers, more even than nanotech or IPOs. His quirky collections . . . offer a glimpse into the Israeli subconscious."--Kevin Peraino,Newsweek "One of the joys of this collection by Mr. Keret, a young Israeli writer, is the insight it gives into the life of his countrymen . . . Mr. Keret's incredible stories are complemented by his laconic style. Bizarre things happen in each and every one of them, but neither he nor his characters bat an eye at the oddities surrounding them. Like the undercurrent of terrorism, this could be an aspect of the Israeli psyche."--Sonny Bunch,The Washington Times "The Nimrod Flipoutcontains 30 stories, most of which straddle the line between a joke and a fable. The tone is what Rod Serling might have sounded like had he decided to make ‘The Twilight Zone' a comedy set in Israel, with each episode lasting just a few minutes . . . Keret's Israelis are described with the cut-to-the-chase imperative of a comedian. The people who dash in and out of his stories are the sort of familiar urbanites you would find in a sitcom, albeit one playing on a television that might become untethered at any moment, floating away into oblivion as though it were all a strange dream."--Thomas Beller,The New York Times Book Review "Keret . . . has been hailed as a radical new voice in Israeli literature. [He] has cousins at an international level--like Haruki Murakami, his young male characters favor hard-boiled speech and make no apologies for their juvenile habits, and they seem unfazed by the mild magical realism that pervades their lives. Yet Mr. Keret distinguishes himself with a kind of overarching sorrow. The deadly realities of Israeli life facilitate a style that differs from Murakami's fatalism."--Benjamin Lytal,The Sun

Author Biography

Etgar Keret is the author of three bestselling story collections, one novella, three graphic novels, and a children's book. His fiction has been translated into sixteen languages and has been the basis for more than forty short films (including the winner of an MTV prize). He lives and teaches in Tel Aviv.

Table of Contents

Fatso 3(4)
The Nimrod Flipout 7(16)
Shooting Tuvia 23(6)
One Kiss on the Mouth in Mombasa 29(4)
Your Man 33(6)
Shriki 39(4)
Eight Percent of Nothing 43(6)
Pride and Joy 49(6)
Surprise Egg 55(4)
Dirt 59(2)
Actually, I've Had Some Phenomenal Hard-ons Lately 61(12)
More Life 73(6)
Glittery Eyes 79(4)
Teddy Trunk 83(4)
Malffunction 87(2)
Halibut 89(4)
For Only 9.99 (Inc. Tax and Postage) 93(8)
Horsie 101(4)
My Girlfriend's Naked 105(4)
Bottle 109(4)
A Visit to the Cockpit 113(6)
A Thought in the Shape of a Story 119(4)
Gur's Theory of Boredom 123(4)
The Tits on an Eighteen-Year-Old 127(4)
Bwoken 131(4)
Baby 135(2)
Ironclad Rules 137(4)
A Good-Looking Couple 141(4)
Angle 145(4)
Himme 149

Excerpts

THE NIMROD FLIPOUT (Fatso)

Surprised? Of course I was surprised. You go out with a girl. First date, second date, a restaurant here, a movie there, always just matinees. You start sleeping together, the sex is mind-blowing, and pretty soon there’s feeling too. And then, one day, she shows up in tears, and you hug her and tell her to take it easy, everything’s going to be OK, and she says she can’t stand it anymore, she has this secret, not just a secret, something really awful, a curse, something she’s been wanting to tell you from the beginning but she didn’t have the guts. This thing, it’s been weighing her down, and now she’s got to tell you, she’s simply got to, but she knows that as soon as she does, you’ll leave her, and you’ll be absolutely right to leave her, too. And then she starts crying all over again.

I won’t leave you, you tell her. I won’t. I love you. You try to look concerned, but you’re not. Not really. Or rather, if you are concerned, it’s about her crying, not about her secret. You know by now that these secrets that always make a woman fall to pieces are usually something along the lines of doing it with an animal, or a Mormon, or with someone who paid her for it. I’m a whore, they always wind up saying. And you hug them and say, no you’re not. You’re not. And if they don’t stop crying all you can do is say shhh. It’s something really terrible, she insists, as if she’s picked up on how nonchalant you are about it, even though you’ve tried to hide it. In the pit of your stomach it may sound terrible, you tell her, but that’s just acoustics. As soon as you let it out it won’t seem anywhere near as bad—you’ll see. And she almost believes you. She hesitates and then she asks: What if I told you that at night I turn into a heavy, hairy man, with no neck, with a gold ring on his pinkie, would you still love me? And you tell her of course you would. What else can you say? That you wouldn’t? She’s just trying to test you, to see whether you love her unconditionally—and you’ve always been a winner at tests. In fact, as soon as you say it, she melts, and you do it, right there in the living room. And afterward, you lie there holding each other tight, and she cries because she’s so relieved, and you cry too. Go figure. And unlike all the other times, she doesn’t get up and go. She stays there and falls asleep. And you lie awake, looking at her beautiful body, at the sunset outside, at the moon appearing as if out of nowhere, at the silvery light flickering over her body, stroking the hair on her back. And within five minutes you find yourself lying next to this guy—this short fat guy. And the guy gets up and smiles at you, and awkwardly gets dressed. He leaves the room and you follow him, spellbound. He’s in the den now, his thick fingers fiddling with the remote, zapping to the sports channels. Championship soccer. When they miss a pass, he curses the TV; when they score, he gets up and does a little victory dance.

After the game he tells you that his throat is dry and his stomach is growling. He could really use a beer and a big steak. Welldone if possible, and with lots of onion rings, but he’d settle for pork chops. So you get in the car and take him to this restaurant that he knows about. This new twist has you worried, it really does, but you have no idea what you should do. Your command-and-control centers are down. You shift gears at the exit, in a daze. He’s right there beside you in the passenger seat, tapping that gold-ringed pinkie of his. At the next intersection, he rolls down his window, winks at you, and yells at a girl who’s trying to thumb a ride: Hey, baby, wanna play nanny goat and ride in the back? Later, the two of you pack in the steak and the chops and the onion rings till you’re about to explode, and he enjoys every bite, and laughs like a baby. And all that time you keep telling yourself it’s got to be a dream. A bizarre dream, yes, but definitely one that you’ll snap out of any minute.

On the way back, you ask him where he’d like you to drop him off, and he pretends not to hear you, but he looks despondent. So you wind up taking him home. It’s almost three a.m. I’m hitting the sack, you tell him, and he waves his hand, and stays in the beanbag chair, staring at the fashion channel. You wake up the next morning, exhausted, and your stomach hurts. And there she is, in the living room, still dozing. But by the time you’ve had your shower, she’s up. She gives you a sheepish hug, and you’re too embarrassed to say anything. Time goes by and you’re still together. The sex just gets better and better. She’s not so young anymore, and neither are you, and suddenly you find yourselves talking about a baby. And at night, you and fatso hit the town like you’ve never done in your life. He takes you to restaurants and bars you didn’t even know existed, and you dance on the tables together, and break plates like there’s no tomorrow. He’s really nice, the fatso, a little crass, especially with women; sometimes the things he comes out with make you want to sink into the floor. Other than that, he’s lots of fun. When you first met him, you didn’t give a damn about soccer, but now you know every team. And whenever one of your favorites wins, you feel like you’ve made a wish and it’s come true. Which is a pretty exceptional feeling for someone like you, who hardly knows what he wants most of the time. And so it goes: every night you fall asleep with him struggling to stay awake for the Argentinean finals, and in the morning there she is, the beautiful, forgiving woman who you love, too, till it hurts.

THE NIMROD FLIPOUT Copyright © 2002, 2006 by Etgar Keret

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