Media in China: Consumption, Content and Crisis
by Donald,Stephanie HemelrykEdition: 1st
Format: Nonspecific Binding
Pub. Date: 2002-08-23
Publisher(s): RoutledgeCurzon
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Summary
This book is about a new kind of revolution in China - a revolution in which rapidly commercializing media industries confront slow-changing power relations between political, social and economic spheres.
Table of Contents
| Acknowledgements | |
| List of tables | |
| List of figures | |
| Preface: Media research in China | |
| Media in China: New Convergences, New Approaches | |
| One Channel, Two Systems | |
| Meaning, Production, Consumption: The History and Reality of Television Drama Series | |
| From Party Office to Box Office: Making Movies that Count in China | |
| Hong Kong Cinema in China: A Global/National Perspective | |
| 'Satellite Modernity': Four Modes of Televisual Imagination in the Disjunctive Sociomediascape of Guanzhou | |
| Send in the Clones: Television Formats and Content Creation in the PRC | |
| Rock in a Hard Place: Commercial Fantasies in China's Music Industry | |
| 'We are Chinese': Music and Indentity in 'Cultural China' | |
| Semiotic Overdetermination or Indoctritainment: Television, Citizenship and the Olympic Games | |
| Crazy Rabbits! Children's Media Culture and Socialization | |
| 'What can I do for Shanghai?': Selling Spiritual Civilization to Consumer Citizens | |
| Professional Soccer in China: A Market Report | |
| Satellite and Cable Platforms: Development and Content | |
| Networks and Industrial Community Television in China: Precursors to a Revolution | |
| The Surfer-in-Chief and the would-be kings of content: a short study of Sina.com and Netease.com | |
| Responses to Crisis: Convergence, Content Industries, and Media Governance | |
| Contributors | |
| Bilbiography (references cited) | |
| Index | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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