Looking Awry An Introduction to Jacques Lacan through Popular Culture

by
Edition: Reprint
Format: Paperback
Pub. Date: 1992-09-08
Publisher(s): The MIT Press
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Summary

Slavoj Zizek, a leading intellectual in the new social movements in Eastern Europe, provides a virtuoso reading of the psychoanalytic theory of Jacques Lacan through the works of contemporary popular culture, from horror fiction and detective thrillers to popular romances and Hitchcock films. Slavoj Zizek is a Researcher in the Institute of Sociology at the University of Ljubljana, Slovenia. He ran as a proreform candidate for the presidency of the republic of Slovenia, then part of Yugoslavia, in 1990.

Author Biography

Slavoj Žižek, a philosopher and cultural critic, is Senior Researcher in the Department of Philosophy at the University of Ljubljana, Global Distinguished Professor of German at New York University, and International Director of the Birkbeck Institute for the Humanities at the University of London. He is the author of more than thirty books, including Looking Awry: An Introduction to Jacques Lacan through Popular Culture, The Puppet and the Dwarf: The Perverse Core of Christianity, The Parallax View, The Monstrosity of Christ: Paradox or Dialectic (with John Milbank), and Žižek's Jokes (Did you hear the one about Hegel and negation?), these five published by the MIT Press.

Table of Contents

Preface vii
Acknowledgments xi
I How Real Is Reality? 1(66)
From Reality to the Real
3(18)
The Paradoxes of Object Petit a
3(5)
A Black Hole in Reality
8(13)
The Real and Its Vicissitudes
21(27)
How the Real Returns and Answers
21(18)
How the Real Is Rendered and Knows
39(9)
Two Ways to Avoid the Real of Desire
48(19)
The Sherlock Holmes Way
48(12)
The Philip Marlowe Way
60(7)
II One Can Never Know Too Much about Hitchcock 67(56)
How the Non-duped Err
69(19)
``The Unconscious Is Outside''
69(10)
Ladies Who Vanish
79(9)
The Hitchcockian Blot
88(19)
The Phallic Anamorphosis
88(9)
The Maternal Superego
97(10)
Pornography, Nostalgia, Montage: A Triad of the Gaze
107(16)
The Perverse Short Circuit
107(9)
The Hitchcockian Cut
116(7)
III Fantasy, Bureaucracy, Democracy 123(48)
The Ideological Sinthome
125(16)
Gaze and Voice as Objects
125(5)
``Love Thy Sinthome as Thyself''
130(11)
The Obscene Object of Postmodernity
141(13)
The Postmodernist Break
141(6)
Bureaucracy and Enjoyment
147(7)
Formal Democracy and Its Discontents
154(17)
Toward an Ethic of Fantasy
154(8)
The Nation-Thing
162(9)
Notes 171(14)
Index of Works Cited 185

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