Joan Miro

by
Format: Hardcover
Pub. Date: 2003-09-13
Publisher(s): Rizzoli
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Summary

"Joan Miro did not paint dreams but instead, through his works, provided the spectator with certain elements so that he would be the one that dreamed. Miro never worked under the influence of hypnosis, drugs or alcohol. His life, like his painting, was always methodical and ordered. Nevertheless, his artistic personality and the way he represented on canvas what inspiration dictated to him led Andre Breton to exclaim, "Miro is the most surrealist of us all!"" "This book not only details his pictorial output but also looks at the artist's incursions into areas as diverse as graphic work, ceramics, sculpture, tapestry, and theatre. A creative force in the plastic field who felt an equal passion for the word, for the most daring poetic plays, a lover of objects, and the bare truth of materials, Miro always revealed himself as an oneiric artist, a seeker after the constellations that inspired some of his finest works."--BOOK JACKET.

Author Biography

Rosa María Malet, director of the Fundació Joan Miró since 1980, graduated in philosophy and letters from the Central University of Barcelona. Her special subject was history
of art. She has mounted numerous exhibitions and has produced many publications and
catalogs on Joan Miró. She is a member of the leading Spanish and international art associations.

Table of Contents

Childhood and learning years (1893-1915)p. 6
Early youth (1915-1917)p. 7
Period of details (1918-1922)p. 9
The seed sown in Paris bears fruit in Mont-roig (1923-1924)p. 10
Surrealism (1924-1927)p. 11
Inspiration through the masters of other ages (1928-1929)p. 12
From the assassination of painting to the purity of form (1929-1934)p. 13
"Savage paintings" (1934-1936)p. 14
From tormented painting to simplification (1937-1938)p. 15
Varengeville and the Constellations (1939-1941)p. 17
A language of his own (1942-1946)p. 18
International recognition (1947-1951)p. 19
"Je reve d'un grand atelier" (1952-1960)p. 20
The years of maturity (1961-1970)p. 22
The later years and the Fundacio Joan Mirop. 23
Graphic workp. 24
Ceramicsp. 25
Sculpturep. 27
Tapestryp. 28
Theatrep. 29
Epiloguep. 29
Biographyp. 30
Bibliographyp. 32
Illustrationsp. 34
Index of Illustrationsp. 126
Table of Contents provided by Blackwell. All Rights Reserved.

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