A Jewish Orchestra in Nazi Germany

by
Format: Hardcover
Pub. Date: 2010-01-15
Publisher(s): Univ of Michigan Pr
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Summary

"Offers a clear introduction to a fascinating, yet little known, phenomenon in Nazi Germany, whose very existence will be a surprise to the general public and to historians. Easily blending general history with musicology, the book provides provocative yet compelling analysis of complex issues." ---Michael Meyer, author ofThe Politics of Music in the Third Reich"Hirsch poses complex questions about Jewish identity and Jewish music, and she situates these against a political background vexed by the impossibility of truly viable responses to such questions. Her thorough archival research is complemented by her extensive use of interviews, which gives voice to those swept up in the Holocaust.A Jewish Orchestra in Nazi Germanyis a book filled with the stories of real lives, a collective biography in modern music history that must no longer remain in silence." ---Philip V. Bohlman, author ofJewish Music and Modernity"An engaging and downright gripping history. The project is original, the research is outstanding, and the presentation lucid." ---Karen Painter, author ofSymphonic Aspirations: German Music and Politics, 1900-1945The Jewish Culture League was created in Berlin in June 1933, the only organization in Nazi Germany in which Jews were not only allowed but encouraged to participate in music, both as performers and as audience members. Lily E. Hirsch'sA Jewish Orchestra in Nazi Germanyis the first book to seriously investigate and parse the complicated questions the existence of this unique organization raised, such as why the Nazis would promote Jewish music when, in the rest of Germany, it was banned. The government's insistence that the League perform only Jewish music also presented the organization's leaders and membership with perplexing conundrums: what exactlyisJewish music? Who qualifies as a Jewish composer? And, if it is true that the Nazis conceived of the League as a propaganda tool, did Jewish participation in its activities amount to collaboration?Lily E. Hirsch is Assistant Professor of Music at Cleveland State University.

Table of Contents

Acknowledgmentsp. vii
Introductionp. 1
Why the League?p. 16
What Is Jewish Music? The League and the Dilemmas of Musical Identityp. 37
Performing a "Jewish Repertoire" Weill, Schoenberg, and Blochp. 60
"German Music," Lieder, and the Austrian Franz Schubertp. 87
Handel, Verdi, and National Pridep. 107
Beyond Ethnic Loyaltiesp. 148
Epilogue: The Legacy of the Leaguep. 148
Notesp. 159
Sources Consultedp. 215
Indexp. 241
Table of Contents provided by Ingram. All Rights Reserved.

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