Summary
In the rural plateaux of northern Ethiopia, one can still find scattered ruins of monumental buildings that are evidently alien to the country's ancient architectural tradition. This little-known and rarely studied architectural heritage is a silent witness to a fascinating if equivocal cultural encounter that took place in the 16th-17th centuries between Catholic Europeans and Orthodox Ethiopians. The Indigenous and the Foreign in Christian Ethiopian Art presents a selection of papers derived from the 5th Conference on the History of Ethiopian Art, which for the first time systematically approached this heritage.The book explores the enduring impact of this encounter on the artistic, religious and political life of Ethiopia, an impact that has not been readily acknowledged, not least because the public conversion of the early 17th-century Emperor Susïnyus to Catholicism resulted in a bloody civil war shrouded in religious intolerance. Bringing together work by key researchers in the field, these studies open up a particularly rich period in the history of Ethiopia and cast new light on the complexities of cultural and religious (mis)encounters between Africa and Europe.
Author Biography
Isabel Boavida, Instituto de Cultura Espanhola, Faculdade de Letras, Universidade de Lisboa Manuel Joao Ramos, Departamento de Antropologia, ISCTE, Lisboa Stephen Bell, Independent researcher LaVerle Berry, The Library of Congress, Washington DC Claire Bosc-Tiesse, University of Paris-I Sorbonne, Centre de Recherches Africaines Ian Campbell, World Bank consultant and private researcher Stanislaw Chojnacki, Independent researcher Girma Fisseha, Staatliches Museum fur Volkerkunde, Munich Michael Gervers, Department of Humanities, University of Toronto at Scarborough Fasil Giorghis, Department of Architecture and Urban Planning, Technology Faculty, Addis Ababa University Martha H. Henze, Independent researcher Paul B. Henze, Independent researcher Richard Pankhurst, Society of Friends of the Institute of Ethiopian Studies, Addis Ababa University Tania C. Tribe, Department of Art and Archaeology, SOAS, University of London Anais Wion, University of Paris-I Sorbonne, Centre de Recherches Africaines
Table of Contents
|
|
v | |
|
|
xiii | |
Acknowledgments |
|
xv | |
Introduction |
|
xvii | |
|
PART ONE Architecture and Urbanism |
|
|
|
A Tale of Four Cities: Late-16th and Early-17th Century Ethiopian Capitals and their Turkish, Portuguese and Indian Connections |
|
|
3 | (13) |
|
|
Ethiopian and Jesuit Monumental Stone Architecture in the Lake Tana Basin: A Preliminary Assessment |
|
|
16 | (14) |
|
|
Foreign Influences and Local Contribution in Gondarian Architecture |
|
|
30 | (7) |
|
|
Portuguese and Indian Influences on the Architecture of the Lake Tana Region: An Inquiry into the Role of Ganata Iyasus |
|
|
37 | (12) |
|
|
The Monastery of Martula Maryam: Questions and Speculations about its Architecture and Ornamentation |
|
|
49 | (12) |
|
|
PART TWO Icon and Mural Paintings |
|
|
|
Place, Space and Representation in 18th-Century Gondarine Painting |
|
|
61 | (12) |
|
|
Ethiopian Warrior Saints in 18th-Century Miniatures and their Significance in the Cultural History of Ethiopia |
|
|
73 | (10) |
|
|
The Use of Occidental Engravings in Ethiopian Painting in the 17th and 18th Centuries |
|
|
83 | (20) |
|
|
An Analysis of 17th-Century Ethiopian Pigments |
|
|
103 | (10) |
|
|
Ahmad Grann and the Portuguese in Ethiopian Folk Painting |
|
|
113 | (8) |
|
|
PART THREE Decorative Arts |
|
|
|
The Portuguese Import of Luxury Textiles to Ethiopia in the 16th and 17th Centuries and their Subsequent Artistic Influence |
|
|
121 | (14) |
|
|
Imported Textiles in Ethiopian Traditions |
|
|
135 | (11) |
|
|
The Cross brought to Goa and Portugal by Libna Dingil's Envoy Mathew |
|
|
146 | (6) |
|
|
A Military Helmet and Mail Shirt at Dabra Warq, Goggam: Two Historic Objects of Probable Earlier Portuguese Provenance |
|
|
152 | (9) |
|
Bibliography |
|
161 | (16) |
Index |
|
177 | |