Acknowledgments |
|
xi | |
Introduction |
|
xiii | |
You Can Do It |
|
xiii | |
What's Unique about This Book |
|
xv | |
Introducing Your Authors |
|
xvii | |
Your Success Waits! |
|
xviii | |
|
Part 1: Welcome to the World of Music Selling |
|
|
1 | (66) |
|
Why Specialize in Music Selling? |
|
|
2 | (10) |
|
Broad Is Good: Product and Customer Diversity |
|
|
2 | (2) |
|
|
4 | (2) |
|
|
6 | (2) |
|
|
8 | (4) |
|
The History of Selling Music |
|
|
12 | (11) |
|
|
12 | (4) |
|
|
16 | (7) |
|
Getting Better Acquainted with Music Selling |
|
|
23 | (19) |
|
Broad Strokes: Business Characteristics |
|
|
24 | (7) |
|
Market Specifics and Market Opportunities on eBay |
|
|
31 | (11) |
|
Becoming an Expert in Music Sales |
|
|
42 | (25) |
|
What Does it Take to Be a Music Expert? |
|
|
43 | (2) |
|
|
45 | (8) |
|
|
53 | (11) |
|
Making the Grade: Grading Music Merchandise |
|
|
64 | (2) |
|
|
66 | (1) |
|
Part 2: Selling Music Merchandise with Success |
|
|
67 | (78) |
|
Your Music Category Business Plan |
|
|
68 | (11) |
|
The Big Deal about Business Plans |
|
|
69 | (1) |
|
The Nuts and Bolts of Your Plan |
|
|
69 | (7) |
|
The Benefits of Your Plan |
|
|
76 | (2) |
|
|
78 | (1) |
|
Strategies for Building Your Inventory |
|
|
79 | (19) |
|
|
80 | (12) |
|
Supply from the Inside: Strategies to Consider |
|
|
92 | (6) |
|
Targeting Music Customers |
|
|
98 | (14) |
|
|
99 | (1) |
|
|
99 | (2) |
|
|
101 | (2) |
|
The Right Description Is Crucial |
|
|
103 | (2) |
|
|
105 | (6) |
|
|
111 | (1) |
|
|
112 | (20) |
|
|
113 | (5) |
|
|
118 | (1) |
|
|
119 | (2) |
|
|
121 | (1) |
|
|
122 | (2) |
|
Take the Music to the World: International Sales |
|
|
124 | (1) |
|
|
125 | (2) |
|
|
127 | (2) |
|
|
129 | (1) |
|
Listing Content and Presentation |
|
|
129 | (1) |
|
Communication and Fast, Reliable Shipping |
|
|
130 | (2) |
|
Packing and Shipping Music Products |
|
|
132 | (13) |
|
|
135 | (1) |
|
|
136 | (2) |
|
|
138 | (4) |
|
|
142 | (3) |
|
Part 3: Becoming a Music Specialist |
|
|
145 | (113) |
|
Becoming a Recorded Music Specialist |
|
|
146 | (35) |
|
|
147 | (5) |
|
|
152 | (13) |
|
|
165 | (1) |
|
Advertising Opportunities |
|
|
166 | (1) |
|
Market Factors and Market Implications |
|
|
166 | (4) |
|
|
170 | (2) |
|
|
172 | (2) |
|
Boosting Sales with Stellar Listings |
|
|
174 | (4) |
|
|
178 | (1) |
|
Customer Incentives that Work |
|
|
179 | (2) |
|
Becoming a Music Products Specialist |
|
|
181 | (51) |
|
|
181 | (13) |
|
Major Names and Major Sources for Instruments |
|
|
194 | (22) |
|
|
216 | (4) |
|
|
220 | (3) |
|
|
223 | (1) |
|
Boosting Sales with Stellar Listings |
|
|
224 | (4) |
|
|
228 | (1) |
|
Customer Incentives that Work |
|
|
229 | (3) |
|
Becoming a Music Memorabilia Specialist |
|
|
232 | (22) |
|
|
232 | (4) |
|
Major Names and Major Sources for Music Memorabilia |
|
|
236 | (5) |
|
|
241 | (1) |
|
Advertising Opportunities for Memorabilia |
|
|
241 | (1) |
|
Market Drivers and Implications |
|
|
242 | (5) |
|
|
247 | (2) |
|
|
249 | (1) |
|
Boosting Sales with Stellar Listings |
|
|
250 | (1) |
|
|
251 | (2) |
|
Customer Incentives that Work |
|
|
253 | (1) |
|
The Future of Selling Music on eBay |
|
|
254 | (4) |
Index |
|
258 | |