About the Selection and Translation |
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ix | |
Acknowledgments |
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xi | |
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from Pedra Do Sono / Stone of Sleep (1942) |
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5 | (2) |
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7 | (2) |
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9 | (4) |
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from O Engenheiro / The Engineer (1945) |
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13 | (2) |
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15 | (2) |
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17 | (2) |
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19 | (2) |
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21 | (6) |
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from Psicologia Da Composicao / Psychology of Composition (1947) |
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Psychology of Composition |
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27 | (6) |
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33 | (14) |
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O Cao Sem Plumas / The Dog Without Feathers (1950) |
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47 | (214) |
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from Paisagens Com Figuras / Landscapes with Figures (1956) |
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81 | (4) |
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The Wind in the Canefield |
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85 | (4) |
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Cemetery in Pernambuco (Toritama) |
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89 | (2) |
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91 | (4) |
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Cemetery in Pernambuco (Sao Lourenco da Mata) |
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95 | (2) |
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97 | (4) |
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Cemetery in Pernambuco (Nossa Senhora da Luz) |
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101 | (4) |
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from Quaderna / Four-Spot (1960) |
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Cemetery in Alagoas (Trapiche da Barra) |
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105 | (2) |
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107 | (4) |
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Cemetery in Paraiba (between Flores and Princesa) |
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111 | (2) |
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113 | (4) |
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Cemetery in Pernambuco (Floresta do Navio) |
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117 | (2) |
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Cemetery in Pernambuco (Custodia) |
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119 | (4) |
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from Dois Parlamentos / Two Parliaments (1961) |
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123 | (30) |
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from Serial / Serial (1961) |
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153 | (6) |
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159 | (8) |
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from A Educacao Pela Pedra / Education by Stone (1966) |
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The Sea and the Canefield |
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167 | (2) |
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169 | (2) |
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On Sitting / Being-in-the-World |
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171 | (2) |
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173 | (2) |
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175 | (2) |
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177 | (2) |
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The Canefield and the Sea |
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179 | (2) |
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181 | (2) |
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183 | (2) |
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185 | (2) |
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187 | (2) |
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189 | (2) |
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191 | (4) |
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from Museu De Tudo / Catchall Museum (1975) |
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The Insomnia of Monsieur Teste |
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195 | (2) |
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197 | (2) |
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199 | (2) |
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201 | (2) |
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203 | (4) |
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The Architecture of Sugarcane |
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207 | (2) |
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209 | (2) |
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211 | (2) |
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213 | (4) |
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from A Escola Das Facas / The School of Knives (1980) |
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217 | (2) |
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219 | (2) |
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The Voice of the Canefield |
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221 | (2) |
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223 | (2) |
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The Voice of the Coconut Grove |
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225 | (2) |
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227 | (2) |
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The Sandbank at Sirinhaem |
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229 | (4) |
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233 | (2) |
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Sugarcane and the Eighteenth Century |
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235 | (4) |
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from Agrestes / Rough & Rude (1985) |
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239 | (2) |
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241 | (2) |
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Renewed Homage to Marianne Moore |
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243 | (2) |
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245 | (2) |
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247 | (2) |
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249 | (2) |
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251 | (2) |
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A Question of Punctuation |
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253 | (4) |
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from Crime Na Calle Relator / Crime on the Calle Relator (1987) |
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The Ironware Shop in Carmona |
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257 | (4) |
Notes to the Poems |
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261 | (2) |
Afterword |
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263 | |