Education by Stone

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Format: Paperback
Pub. Date: 2005-02-01
Publisher(s): Archipelago
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Summary

Perhaps the single most important Brazilian poet of the 20th century. Same vein as Wallace Stevens and James Merrill.

Author Biography

João Cabral de Melo Neto (1920–1999) was born and raised in northeastern Brazil, whose arid landscape and severe poverty became the setting and subject matter for some of his greatest poems. A career diplomat, he lived for many years in Spain, the other geographical pole around which his poetry flourished. Numerous national and international prizes were awarded to João Cabral, one of the most original poets of the 20th century.

Richard Zenith’s translations from the Portuguese include works by António Lobo Antunes and Fernando Pessoa. His Fernando Pessoa & Co.: Selected Poems won the 1999 PEN Award for Poetry in Translation, and his new version of Pessoa’s The Books of Disquiet (Penguin) was awarded the 2002 Calouste Gulbenkian Translation Prize. Zenith is the author of Terceiras Pessoas and has published his poetry in literary reviews. He lives in Lisbon.

Table of Contents

About the Selection and Translation ix
Acknowledgments xi
from Pedra Do Sono / Stone of Sleep (1942)
Windows
5(2)
Poetry
7(2)
Water and the Poem
9(4)
from O Engenheiro / The Engineer (1945)
The Dancer
13(2)
The Engineer
15(2)
The Table
17(2)
The Office Clerk
19(2)
The Lesson of Poetry
21(6)
from Psicologia Da Composicao / Psychology of Composition (1947)
Psychology of Composition
27(6)
Antiode
33(14)
O Cao Sem Plumas / The Dog Without Feathers (1950)
47(214)
from Paisagens Com Figuras / Landscapes with Figures (1956)
Tourist Pitch for Recife
81(4)
The Wind in the Canefield
85(4)
Cemetery in Pernambuco (Toritama)
89(2)
Encounter with a Poet
91(4)
Cemetery in Pernambuco (Sao Lourenco da Mata)
95(2)
A Few Matadors
97(4)
Cemetery in Pernambuco (Nossa Senhora da Luz)
101(4)
from Quaderna / Four-Spot (1960)
Cemetery in Alagoas (Trapiche da Barra)
105(2)
The Woman and the House
107(4)
Cemetery in Paraiba (between Flores and Princesa)
111(2)
The Word Silk
113(4)
Cemetery in Pernambuco (Floresta do Navio)
117(2)
Cemetery in Pernambuco (Custodia)
119(4)
from Dois Parlamentos / Two Parliaments (1961)
Party at the Manor House
123(30)
from Serial / Serial (1961)
Yes Against Yes
153(6)
The Egg
159(8)
from A Educacao Pela Pedra / Education by Stone (1966)
The Sea and the Canefield
167(2)
Education by Stone
169(2)
On Sitting / Being-in-the-World
171(2)
Weaving the Morning
173(2)
Tale of an Architect
175(2)
Speechless Rivers
177(2)
The Canefield and the Sea
179(2)
Rivers for a Day
181(2)
Psychoanalysis of Sugar
183(2)
The Kingdoms of Yellow
185(2)
On a Monument to Aspirin
187(2)
Inhabiting Time
189(2)
For the Book Fair
191(4)
from Museu De Tudo / Catchall Museum (1975)
The Insomnia of Monsieur Teste
195(2)
W. H. Auden
197(2)
The Unconfessing Artist
199(2)
Berceo's Catechism
201(2)
The Waters of Recife
203(4)
The Architecture of Sugarcane
207(2)
Rilke in New Poems
209(2)
The Autograph
211(2)
Proust and His Book
213(4)
from A Escola Das Facas / The School of Knives (1980)
Plantation Boy
217(2)
Horacio
219(2)
The Voice of the Canefield
221(2)
Fort Orange, Itamaraca
223(2)
The Voice of the Coconut Grove
225(2)
The School of Knives
227(2)
The Sandbank at Sirinhaem
229(4)
Sugarcane Girl
233(2)
Sugarcane and the Eighteenth Century
235(4)
from Agrestes / Rough & Rude (1985)
The Nothing That Is
239(2)
Banks & Cathedrals
241(2)
Renewed Homage to Marianne Moore
243(2)
Sandwater
245(2)
In the Paramo
247(2)
The Bed and the Car
249(2)
Right to Death
251(2)
A Question of Punctuation
253(4)
from Crime Na Calle Relator / Crime on the Calle Relator (1987)
The Ironware Shop in Carmona
257(4)
Notes to the Poems 261(2)
Afterword 263

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