Cultural Repertoires

by ;
Format: Hardcover
Pub. Date: 2003-08-01
Publisher(s): Peeters Pub & Booksellers
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Summary

It is apparent that every linguistic and literary tradition will wish to distinguish broad periods in its historical evolution. One way of demarcating such periods is by isolating and identifying dominant &la" repertoires of texts, styles or types, which may be seen as preserving repositories of material, promoting literary models, privileging formal constraints, or inspiring theoretical reflections - or all of these. The present collection of studies represents the results of a colloquium held at the University of Groningen in 2001. The contributions range widely in area, time, and theme: from general theory of acceptation into the canon to particular case studies; from overall descriptions of cultural repertoires to their very manufacture; from Ancient Mesopotamia to the European avant-garde - taking in Homeric Greece, the Arabic world, the Middle Ages, Renaissance Humanism, and modern Dutch literature along the way.

Table of Contents

Preface and Acknowledgementsp. vii
On the Structure and Function of Cultural Repertoires: An Introductionp. ix
Contributorsp. xiii
Structure
The Old Babylonian Literary Canon: Structure, Function and Intentionp. 1
Sumerian Literaturep. 29
The Classical Arabic Canon of Polite (and Impolite) Literaturep. 45
The Cultural Repertory of Middle Scots Lyric Versep. 59
The Kaleidoscope of the Past: Reflections on the Reception and Cultural Implications of the Term studia humanitatisp. 87
Function
The Libraries of Babel: Text, Authority, and Tradition in Ancient Mesopotamiap. 105
Authority, Canon Formation, and the Access to Truth: Orthodoxy and Heresy in Later Medieval Theologyp. 131
Canon-Replacement versus Canon-Appropriation: The Case of Homerp. 145
The Message of the Avant-Garde on the Intentional Dimension of Cultural Repertoriesp. 161
The Revision of the Cultural Repertoire in a Segmented Society: Protestant, Catholic and Socialist Critics, and their Double Bind Relationship with the Dominant Literary Paradigm in The Netherlands, 1895-1940p. 179
Cultural Repertoires within a Functionalist Perspective: A Methodological Approachp. 201
Bibliographyp. 217
Indexp. 241
Table of Contents provided by Ingram. All Rights Reserved.

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