Countless black women would rather attend church naked than hatless. For these women, a church hat, flamboyant as it may be, is no mere fashion accessory; it's a cherished African American custom, one observed with boundless passion by black women of various religious denominations. A woman's hat speaks long before its wearer utters a word. It's what Deirdre Guion calls "hattitude...there's a little more strut in your carriage when you wear a nice hat. There's something special about you." If a hat says a lot about a person, it says even more about a people-the customs they observe, the symbols they prize, and the fashions they fancy. Photographer Michael Cunningham beautifully captures the self-expressions of women of all ages-from young glamorous women to serene but stylish grandmothers. Award-winning journalist Craig Marberry provides an intimate look at the women and their lives. Together they've captured a captivating custom, this wearing of church hats, a peculiar convergence of faith and fashion that keeps the Sabbath both holy and glamorous.

Michael Cunningham is a commercial photographer whose clients include Coca-Cola and Sara Lee. Two of his photographs are currently on loan to the Smithsonian's Anacostia Museum, and his works have been featured in the <i>New York Times</i> and <i>Ebony</i>. He lives in Winston-Salem, North Carolina.<br><br>Craig Marberry, a former TV reporter, holds a master's degree in journalism from Columbia University and is the owner of a video production company. He has written articles for the Washington Post and Essence magazine. Marberry is also the grandson of the late Louis Henry Ford, former Presiding Bishop of the Church of God in Christ. He lives in Greensboro, North Carolina.