A Companion to Literature and Film

by ;
Edition: 1st
Format: Paperback
Pub. Date: 2007-11-19
Publisher(s): Wiley-Blackwell
  • Free Shipping Icon

    This Item Qualifies for Free Shipping!*

    *Excludes marketplace orders.

List Price: $75.68

Buy New

Usually Ships in 8 - 10 Business Days.
$75.60

Rent Textbook

Select for Price
There was a problem. Please try again later.

Rent Digital

Rent Digital Options
Online:1825 Days access
Downloadable:Lifetime Access
$68.40
*To support the delivery of the digital material to you, a digital delivery fee of $3.99 will be charged on each digital item.
$68.40*

Used Textbook

We're Sorry
Sold Out

How Marketplace Works:

  • This item is offered by an independent seller and not shipped from our warehouse
  • Item details like edition and cover design may differ from our description; see seller's comments before ordering.
  • Sellers much confirm and ship within two business days; otherwise, the order will be cancelled and refunded.
  • Marketplace purchases cannot be returned to eCampus.com. Contact the seller directly for inquiries; if no response within two days, contact customer service.
  • Additional shipping costs apply to Marketplace purchases. Review shipping costs at checkout.

Summary

A Companion to Literature in Film provides state-of-the-art research on world literature, film, and the complex theoretical relationship between them. 25 essays by international experts cover the most important topics in the study of literature and film adaptations. Covers a wide variety of topics, including cultural, thematic, theoretical, and genre issues Discusses film adaptations from the birth of cinema to the present day Explores a diverse range of titles and genres, including film noir, biblical epics, and Italian and Chinese cinema

Author Biography

Robert Stam is University Professor at New York University. His many books include Film Theory: An Introduction (Blackwell, 2000), Unthinking Eurocentrism: Multiculturalism and the Media (with Ella Shohat, 1994), and Subversive Pleasures: Bakhtin, Cultural Criticism and Film (1989). With Toby Miller, he is the editor of Film and Theory (Blackwell, 2000) and The Blackwell Companion to Film Theory (2000).

Alessandra Raengo is finishing her PhD in the Cinema Studies Department at New York University, where she occasionally teaches. Her dissertation explores race and vernacular social criticism in American culture between 1945 and 1968. Among her publications are The Birth of Film Genres (1999) and The Bounds of Representation (2000), both multilingual volumes edited with Leonardo Quaresima and Laura Vichi.

Table of Contents

List of Illustrationsp. viii
Notes on Contributorsp. ix
Prefacep. xiv
Acknowledgmentsp. xvi
Novels, Films, and the Word/Image Warsp. 1
Sacred Word, Profane Image: Theologies of Adaptationp. 23
Gospel Truth? From Cecil B. DeMille to Nicholas Rayp. 46
Transecriture and Narrative Mediatics: The Stakes of Intermedialityp. 58
The Look: From Film to Novel. An Essay in Comparative Narratologyp. 71
Adaptation and Mis-adaptations: Film, Literature, and Social Discoursesp. 81
The Invisible Novelty: Film Adaptations in the 1910sp. 92
Italy and America: Pinocchio's First Cinematic Tripp. 112
The Intertextuality of Early Cinema: A Prologue to Fantomasp. 127
Cosmopolitan Projections: World Literature on Chinese Screensp. 144
The Rhetoric of Interruptionp. 164
Visualizing the Voice: Joyce, Cinema, and the Politics of Visionp. 171
Adapting Cinema to History: A Revolution in the Makingp. 189
Photographic Verismo, Cinematic Adaptation, and the Staging of a Neorealist Landscapep. 205
The Devil's Parody: Horace McCoy's Appropriation and Refiguration of Two Hollywood Musicalsp. 229
The Sociological Turn of Adaptation Studies: The Example of Film Noirp. 258
Adapting Farewell, My Lovelyp. 278
Daphne du Maurier and Alfred Hitchcockp. 298
Running Time: The Chronotope of The Loneliness of the Long Distance Runnerp. 326
From Libertinage to Eric Rohmer: Transcending "Adaptation"p. 343
The Moment of Portraiture: Scorsese Reads Whartonp. 358
The Talented Poststructuralist: Hetero-masculinity, Gay Artifice, and Class Passingp. 368
From Bram Stoker's Dracula to Bram Stoker's "Dracula"p. 385
The Bible as Cultural Object(s) in Cinemap. 399
All's Wells that Ends Wells: Apocalypse and Empire in The War of the Worldsp. 423
Indexp. 448
Table of Contents provided by Ingram. All Rights Reserved.

An electronic version of this book is available through VitalSource.

This book is viewable on PC, Mac, iPhone, iPad, iPod Touch, and most smartphones.

By purchasing, you will be able to view this book online, as well as download it, for the chosen number of days.

Digital License

You are licensing a digital product for a set duration. Durations are set forth in the product description, with "Lifetime" typically meaning five (5) years of online access and permanent download to a supported device. All licenses are non-transferable.

More details can be found here.

A downloadable version of this book is available through the eCampus Reader or compatible Adobe readers.

Applications are available on iOS, Android, PC, Mac, and Windows Mobile platforms.

Please view the compatibility matrix prior to purchase.