
A Companion to Literature and Film
by Stam, Robert; Raengo, Alessandra-
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Summary
Author Biography
Alessandra Raengo is finishing her PhD in the Cinema Studies Department at New York University, where she occasionally teaches. Her dissertation explores race and vernacular social criticism in American culture between 1945 and 1968. Among her publications are The Birth of Film Genres (1999) and The Bounds of Representation (2000), both multilingual volumes edited with Leonardo Quaresima and Laura Vichi.
Table of Contents
List of Illustrations | p. viii |
Notes on Contributors | p. ix |
Preface | p. xiv |
Acknowledgments | p. xvi |
Novels, Films, and the Word/Image Wars | p. 1 |
Sacred Word, Profane Image: Theologies of Adaptation | p. 23 |
Gospel Truth? From Cecil B. DeMille to Nicholas Ray | p. 46 |
Transecriture and Narrative Mediatics: The Stakes of Intermediality | p. 58 |
The Look: From Film to Novel. An Essay in Comparative Narratology | p. 71 |
Adaptation and Mis-adaptations: Film, Literature, and Social Discourses | p. 81 |
The Invisible Novelty: Film Adaptations in the 1910s | p. 92 |
Italy and America: Pinocchio's First Cinematic Trip | p. 112 |
The Intertextuality of Early Cinema: A Prologue to Fantomas | p. 127 |
Cosmopolitan Projections: World Literature on Chinese Screens | p. 144 |
The Rhetoric of Interruption | p. 164 |
Visualizing the Voice: Joyce, Cinema, and the Politics of Vision | p. 171 |
Adapting Cinema to History: A Revolution in the Making | p. 189 |
Photographic Verismo, Cinematic Adaptation, and the Staging of a Neorealist Landscape | p. 205 |
The Devil's Parody: Horace McCoy's Appropriation and Refiguration of Two Hollywood Musicals | p. 229 |
The Sociological Turn of Adaptation Studies: The Example of Film Noir | p. 258 |
Adapting Farewell, My Lovely | p. 278 |
Daphne du Maurier and Alfred Hitchcock | p. 298 |
Running Time: The Chronotope of The Loneliness of the Long Distance Runner | p. 326 |
From Libertinage to Eric Rohmer: Transcending "Adaptation" | p. 343 |
The Moment of Portraiture: Scorsese Reads Wharton | p. 358 |
The Talented Poststructuralist: Hetero-masculinity, Gay Artifice, and Class Passing | p. 368 |
From Bram Stoker's Dracula to Bram Stoker's "Dracula" | p. 385 |
The Bible as Cultural Object(s) in Cinema | p. 399 |
All's Wells that Ends Wells: Apocalypse and Empire in The War of the Worlds | p. 423 |
Index | p. 448 |
Table of Contents provided by Ingram. All Rights Reserved. |
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