Summary
This personal, wide-ranging, and contemplative volume--and the last book Barthes published--finds the author applying his influential perceptiveness and associative insight to the subject of photography. To this end, several black-and-white photos (by the likes of Avedon, Clifford, Hine, Mapplethorpe, Nadar, Van Der Zee, and so forth) are reprinted throughout the text. Roland Bartheswas born in 1915 and studied French literature and the classics at the University of Paris. After teaching French at universities in Romania and Egypt, he joined the Centre National de Recherche Scientifique, where he devoted himself to research in sociology and lexicology. He was a professor at the College de France until his death in 1980. This personal, wide-ranging, and contemplative volumeand the last book Barthes publishedfinds the author applying his influential perceptiveness and associative insight to the subject of photography. To this end, several black-and-white photos (by the likes of Avedon, Clifford, Hine, Mapplethorpe, Nadar, Van Der Zee, and so forth) are reprinted throughout the text. "This is a great book--flawed, impossible, infuriating, and moving . . . but he has accomplished in this extraordinary book something finer than mere polemic. En route to his last painful discovery, Barthes takes the reader on an exquisitely rendered, lyrical journey into the heart of his own life and the medium he came to love, a medium that flirts constantly with the 'intractable reality' of the human condition."--Douglas Davis,Newsweek "This is a great bookflawed, impossible, infuriating, and moving . . . but he has accomplished in this extraordinary book something finer than mere polemic. En route to his last painful discovery, Barthes takes the reader on an exquisitely rendered, lyrical journey into the heart of his own life and the medium he came to love, a medium that flirts constantly with the 'intractable reality' of the human condition."Douglas Davis,Newsweek
Author Biography
Roland Barthes was born in 1915 and studied French literature and the classics at the University of Paris. After teaching French at universities in Romania and Egypt, he joined the Centre National de Recherche Scientifique, where he devoted himself to research in sociology and lexicology. He was a professor at the College de France until his death in 1980.
Table of Contents
PART ONE |
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3 | (60) |
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1 Specialty of the Photograph |
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3 | (1) |
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2 The Photograph Unclassifiable |
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4 | (4) |
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8 | (1) |
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4 OPERATOR, SPECTRUM and SPECTATOR |
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9 | (1) |
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10 | (6) |
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6 The SPECTATOR: Chaos of Tastes |
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16 | (2) |
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7 Photography as Adventure |
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18 | (2) |
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20 | (3) |
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23 | (2) |
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25 | (2) |
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27 | (1) |
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28 | (2) |
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30 | (2) |
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32 | (2) |
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34 | (4) |
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38 | (2) |
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40 | (2) |
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18 Co-presence of the STUDIUM and the PUNCTUM |
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42 | (1) |
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19 PUNCTUM: Partial Feature |
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43 | (4) |
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47 | (2) |
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49 | (2) |
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22 After-the-Fact and Silence |
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51 | (4) |
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55 | (5) |
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60 | (3) |
PART TWO |
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63 | |
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63 | (1) |
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64 | (1) |
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65 | (2) |
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28 The Winter Garden Photograph |
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67 | (4) |
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71 | (2) |
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73 | (1) |
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31 The Family, the Mother |
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74 | (2) |
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76 | (2) |
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78 | (2) |
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34 The Luminous Rays, Color |
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80 | (2) |
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82 | (3) |
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85 | (4) |
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89 | (3) |
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92 | (2) |
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94 | (3) |
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97 | (2) |
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99 | (1) |
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100 | (3) |
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103 | (3) |
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106 | (1) |
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107 | (4) |
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111 | (4) |
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115 | (2) |
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117 | |