CD Track List |
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iv | |
Introduction |
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v | |
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1 | (2) |
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3 | (1) |
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Lesson 39. Augmented Triads |
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4 | (1) |
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Lesson 40. Diminished Triads |
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5 | (1) |
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6 | (3) |
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Exercises, Lessons 37--41. Triads and Chord Symbols |
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7 | (2) |
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Lesson 42. Triad Inversions |
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9 | (1) |
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Lesson 43. Bass/Chord Theory |
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10 | (2) |
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12 | (2) |
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Lesson 45. Open-Position Voice Leading and Chorale Notation |
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14 | (1) |
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Lesson 46. Contrary/Parallel Motion Voice Leading |
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15 | (4) |
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Exercises, Lessons 42--46. Inversions and Voice Leading |
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17 | (2) |
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Lesson 47. Major 7 Chords |
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19 | (1) |
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Lesson 48. Dominant 7 Chords |
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20 | (1) |
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Lesson 49. Minor 7 Chords |
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21 | (1) |
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Lesson 50. Minor 7( 5) Chords |
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22 | (1) |
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Lesson 51. Diminished 7 Chords |
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23 | (3) |
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Exercises, Lessons 47--51. Seventh Chord Types and Symbols |
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24 | (2) |
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Lesson 52. Inversions of Seventh Chords |
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26 | (1) |
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Lesson 53. Voice Leading Seventh Chords |
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27 | (2) |
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Lesson 54. Contrary and Parallel Voice Leading of Seventh Chords |
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29 | (1) |
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Lesson 55. Third, Fifth, and Seventh over the Bass |
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30 | (4) |
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Exercises, Lessons 52--55. Seventh-Chord Inversions and Voice Leading |
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32 | (2) |
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Lesson 56. Harmonic Accompaniment from the Lead Sheet |
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34 | (2) |
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Lesson 57. Arpeggiating Accompaniment Chords |
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36 | (1) |
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Lesson 58. Using the Third, Fifth, and Seventh over the Root as Accompaniment Chords |
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37 | (1) |
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Lesson 59. 2:1 Accompaniment Pattern |
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38 | (3) |
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Exercises, Lessons 56--59. Harmonizing and Accompaniment Patterns |
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39 | (2) |
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Lesson 60. Melodic Motion |
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41 | (1) |
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Lesson 61. Writing a Chord-Tone Melody |
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42 | (2) |
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Exercises, Lessons 60--61. Melody |
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43 | (1) |
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Lesson 62. Melodic Motion over Change of Harmony |
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44 | (1) |
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Lesson 63. Repeating a Melodic Phrase on Different Chords |
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45 | (1) |
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Lesson 64. The Melodic Sequence |
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46 | (3) |
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Exercises, Lessons 62--64. Melody Writing |
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47 | (2) |
What's Next? |
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49 | (1) |
About the Author |
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50 | |
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1 | (2) |
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3 | (1) |
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4 | (1) |
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5 | (2) |
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Exercises, Lessons 37--41: Ear Training 1 |
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7 | (1) |
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Exercises, Lessons 37--41: Ear Training 2 |
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7 | (1) |
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Exercises, Lessons 37--41: Ear Training 3 |
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8 | (1) |
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Exercises, Lessons 37--41: Ear Training 4 |
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8 | (1) |
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9 | (1) |
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10 | (1) |
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Close and Open Position Triads |
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10 | (2) |
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12 | (1) |
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Comparing Not-Voice-Led with Voice-Led Triads |
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12 | (3) |
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Voice Leading in Contrary/Parallel Motion |
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15 | (3) |
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Exercises, Lessons 42--46: Ear Training 1 |
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18 | (1) |
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Exercises, Lessons 42--46: Ear Training 2 |
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18 | (1) |
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19 | (1) |
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20 | (1) |
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21 | (1) |
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22 | (1) |
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23 | (1) |
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Exercises, Lessons 47--51: Ear Training 1 |
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24 | (1) |
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Exercises, Lessons 47--51: Ear Training 2 |
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24 | (1) |
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Exercises, Lessons 47--51: Ear Training 3 |
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25 | (1) |
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Exercises, Lessons 47--51: Ear Training 4 |
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25 | (1) |
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26 | (3) |
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Voice Leading 7 Chords in Contrary/Parallel Motion |
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29 | (1) |
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7 Chords with 3, 5, and 7 over Bass |
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30 | (3) |
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Exercises, Lessons 52--55: Ear Training 1 |
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33 | (1) |
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Harmonic Accompaniment from Chord Symbols |
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34 | (2) |
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Arpeggiated Chords as Accompaniment |
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36 | (1) |
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3, 5, and 7 over Bass as Accompaniment |
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37 | (1) |
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2:1 Pattern as Accompaniment |
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38 | (2) |
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Exercises, Lessons 56--59: Ear Training 1 |
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40 | (1) |
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Exercises, Lessons 56--59: Ear Training 2 |
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40 | (1) |
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41 | (2) |
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Exercises, Lessons 60--61: Ear Training 1 |
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43 | (1) |
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Exercises, Lessons 60--61: Ear Training 2 |
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43 | (1) |
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Exercises, Lessons 60--61: Ear Training 3 |
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43 | (1) |
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Melodic Resolutions over Change of Harmony |
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44 | (1) |
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45 | (1) |
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Melody Note Adjustments for Different Chords |
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45 | (1) |
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46 | (2) |
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Exercises, Lessons 62--64: Ear Training 1 |
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48 | (1) |
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Exercises, Lessons 62--64: Ear Training 2 |
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48 | (1) |
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Exercises, Lessons 62--64: Ear Training 1 |
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48 | |