Introduction |
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11 | (8) |
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Chapter 1 Colonial America and the Young Republic 1700-1820 |
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19 | (32) |
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19 | (6) |
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The fight for independence 1775-83 |
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21 | (3) |
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Africa, North America and African-American culture |
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24 | (1) |
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25 | (5) |
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Architecture and the plantation layout |
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28 | (1) |
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28 | (2) |
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The revival of African culture on the plantations |
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30 | (2) |
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30 | (2) |
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New European-American influences |
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32 | (1) |
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A planter's house in Louisiana |
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32 | (2) |
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Plantation slave artists and craftsmen |
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34 | (6) |
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Textiles and patchwork quilts |
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36 | (1) |
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37 | (1) |
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38 | (2) |
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Urban slave artists and craftsmen |
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40 | (11) |
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41 | (1) |
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41 | (1) |
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42 | (9) |
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Chapter 2 Nineteenth-Century America, the Civil War and Reconstruction |
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51 | (54) |
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51 | (7) |
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The anti-slavery movement |
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55 | (1) |
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Free black and slave artisans |
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55 | (2) |
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57 | (1) |
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Architecture, the decorative arts, and folk art |
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58 | (13) |
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Urban and rural architecture |
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58 | (2) |
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60 | (3) |
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Metalwork and woodcarving |
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63 | (1) |
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64 | (3) |
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67 | (4) |
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Fine arts: Painting, sculpture, and graphic arts |
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71 | (34) |
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Exhibitions and the viewing public |
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71 | (3) |
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74 | (3) |
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77 | (2) |
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79 | (10) |
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89 | (9) |
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Genre and biblical painting |
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98 | (7) |
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Chapter 3 Twentieth-Century America and Modern Art 1900-60 |
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105 | (78) |
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105 | (5) |
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Civil rights and double-consciousness |
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105 | (2) |
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The development of a modern American art |
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107 | (3) |
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African-American culture, the New Negro and art in the 1920s |
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110 | (15) |
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110 | (1) |
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111 | (1) |
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Expatriates and Paris, the Negro Colony |
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112 | (1) |
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113 | (1) |
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114 | (1) |
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114 | (2) |
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116 | (4) |
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120 | (5) |
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The patronage of the New Negro artist |
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125 | (1) |
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State funding and the rise of African-American art |
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126 | (33) |
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126 | (1) |
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The legacy of the New Negro movement |
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127 | (1) |
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Negritude and figurative sculpture |
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128 | (4) |
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132 | (3) |
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135 | (4) |
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139 | (6) |
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WPA workshops and community art centres |
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145 | (3) |
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148 | (2) |
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Abstract art and modernism in New York |
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150 | (1) |
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Abstract figurative painting |
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150 | (6) |
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Patronage and critical debate |
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156 | (3) |
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American culture post World War II |
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159 | (6) |
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160 | (1) |
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Painting: Expressionism and Surrealism |
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160 | (5) |
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Abstract Expressionism and African-American art |
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165 | (18) |
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165 | (2) |
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Early Abstract Expressionism: Bearden, Woodruff, and Alston |
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167 | (4) |
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171 | (5) |
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Second generation of Abstract Expressionists 1955-61 |
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176 | (7) |
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Chapter 4 Twentieth-Century America: The Evolution of a Black Aesthetic |
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183 | (91) |
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183 | (2) |
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Civil rights and black nationalism |
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183 | (2) |
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Cultural crisis: Black artist or American artist? |
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185 | (8) |
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Spiral artists' group 1963-6 |
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185 | (5) |
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190 | (3) |
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The evolution of a modern black aesthetic |
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193 | (17) |
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194 | (1) |
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195 | (5) |
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200 | (10) |
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Art institutions and artists' groups |
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210 | (7) |
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Mainstream art institutions |
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210 | (2) |
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212 | (1) |
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Black art and black power |
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213 | (1) |
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214 | (3) |
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Towards a new abstraction |
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217 | (15) |
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217 | (3) |
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220 | (10) |
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230 | (2) |
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The postmodern condition 1980-93 |
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232 | (35) |
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236 | (12) |
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248 | (2) |
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250 | (13) |
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263 | (4) |
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267 | (7) |
Notes |
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274 | (3) |
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277 | (6) |
Bibliographic Essay |
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283 | (17) |
Timeline |
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300 | (10) |
Index |
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310 | |